MUME 2012
Andrew Brown. Creative Partnerships with Technology: How creativity is enhanced through interactions with generative computational systems
Ritwik Banerji. Maxine’s Turing Test – A Player-Program as Co-Ethnographer of Socio-Aesthetic Interaction in Improvised Music
Benjamin Smith, Guy Garnett. Improvising Musical Structure with Hierarchical Neural Nets
Mauricio Rodriguez. ‘Xa-lan’: Algorithmic Generation of Expressive Music Scores Based on Signal Analysis and Graphical Transformations
Oliver Bown, Aengus Martin. Autonomy in Music-Generating Systems
Skyler Murray, Dan Ventura. Algorithmically Flexible Style Composition Through Multi-Objective Fitness Functions
Arne Eigenfeldt. Embracing the Bias of the Machine: Exploring Non-Human Fitness Functions
Shlomo Dubnov, Gerard Assayag. Music Design with Audio Oracle using Information Rate
Henrik Ekeus, Samer Abdallah, Mark Plumbley, Peter W. McOwan. The Melody Triangle: Exploring Pattern and Predictability in Music
Dale Parson. Quantum Composition and Improvisation
Paul A. Szerlip, Amy K. Hoover, Kenneth O. Stanley. A Computer-Assisted Approach to Composing with MaestroGenesis
Mika Kuuskankare. Meta-Score, a Novel PWGL Editor Designed for the Structural, Temporal, and Procedural Description of a Musical Composition
Tom Collins, Christian Coulon. FreshJam: Suggesting Continuations of Melodic Fragments in a Specific Style
Georg Boenn, Martin Brain, Marina De Vos, John Ffitch. Computational Music Theory
Eliot H, elman, Andie Sigler, David Donna. Automatic Orchestration for Automatic Composition
Daniel Brown. Mezzo: An Adaptive, Real-Time Composition Program for Game Soundtracks