MUME 2018
Doug Van Nort. Genetically Sonified Organisms: Environmental Listening/Sounding Agents
Cj Carr, Zack Zukowski. Generating Albums with SampleRNN to Imitate Metal, Rock, and Punk Bands
Lonce Wyse. Real-valued parametric conditioning of an RNN for interactive sound synthesis
Artemi-Maria Gioti. Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques
Rachel Manzelli, Vijay Thakkar, Ali Siahkamari, Brian Kulis. An End to End Model for Automatic Music Generation: Combining Deep Raw and Symbolic Audio Networks
Nicholas Trieu, Robert Keller — BEST PAPER AWARD. JazzGAN: Improvising with Generative Adversarial Networks
Marcelo Gimenes. Experiments on collective decision-making and musical metacreative performances with audience participation
Jay Hardesty. Navigating Outcomes of Rhythmic Anticipation
Paul Bodily, Dan Ventura. Comparative Analysis of Key Inference Models for Musical Metacreation
Jean Bresson, Paul Best, Diemo Schwarz, Alireza Farhang. From Motion to Musical Gesture: Experiments with Machine Learning in Computer-Aided Composition
Prashanth Ravikumar, Kevin McGee, Lonce Wyse. Back to the experiences: Empirically grounding the development of musical co-creative partners in co-experiences
Marinos Koutsomichalis, Björn Gambäck. Algorithmic Audio Mashups and Synthetic Soundscapes Employing Evolvable Media Repositories
Gus G. Xia, Shuqi Dai. Music Style Transfer: A Position Paper
Paul Bodily, Dan Ventura. Musical Metacreation: Past, Present, and Future
Víctor Padilla, Manuel Tizón, Francisco Gómez, Manuel Espigares, Edith Alonso. Towards an Automatic Detection of Rhetorical Patterns in the Renaissance Polyphonic Music